Màrius Bernadò, Universitat de Lleida
Repertoires, theory and printed music of the Middle Ages and the Renaissance; printing and editing musical XV-XVIII centuries; eighteenth- and nineteenth-century iberian chamber music; music collecting; Ricardo Viñes
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Joseba Berrocal, Conservatorio Superior de Música de Castilla y León
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Lluís Bertran, Université de Paris IV, Sorbonne
Instrumental music 1750-1800; Gaetano Brunetti; musical identities in eighteenth-century Barcelona; Catalonian oratory in the eighteenth century
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María Caceres, Universität Bern
Music historiography; nationalism; music criticism; music and performance; international exhibition; Fin de siecle Vienna; history of musicology; music and diplomacy; cultural transfers.
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Juan José Carreras, Universidad de Zaragoza
Opera, cantata and serenade in Spain; courtiers repertoires (eighteenth century). Social history of music (eighteenth and nineteenth centuries). Music historiography; musical dramaturgy (nineteenth and twentieth centuries).

Teresa Cascudo, Universidad de La Rioja
Musical modernism; nationalism and music; music criticism
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José María Domínguez, Universidad de La Rioja
Music in Spain around 1700; musical networks between Italy and Spain in the Modern Era; musical patronage; opera in Naples 1650-1700; Alessandro and Domenico Scarlatti.
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Sonia Gonzalo, Universidad de Zaragoza
Recovery of Iberian keyboard repertoire for the XVI-XVIII centuries in the twentieth century; Interpretative proposals in the interpretation of early music; Historic concert and musical programming.
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Ana Lombardía, Universidad de La Rioja
Eighteenth-century violin music: solo sonata, trio sonata, duets, dances; dissemination of musical works in eighteenth-century Spain; stylistic analysis; José Herrando, Francisco Manalt
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Miguel Ángel Marín
Team Leader
Universidad de La Rioja
Instrumental music in XVIIIth-century Spain; urban musicology; string quartet; Corelli, Boccherini and Haydn
Curriculum

Josep Martínez, Universidad de La Rioja
The public concert in Spain in the late eighteenth century; Lenten seasons in the theaters of Madrid; Instrumental music concert in Spain; Oratorios and sacred dramas in Madrid; Musicians and orchestras of the theaters (Eighteenth century)
Curriculum

Judith Ortega, Instituto Complutense Ciencias Musicales
Court music; nobility and music; music patronage; musical classicism in Spain; lyric-theatre musical sources; musical documentation; music editing
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María Palacios, Universidad de Salamanca
Spanish music of the twentieth century; Relationship music and politics; historiography; Aesthetics, history and analysis; musical iconography
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Pablo-L. Rodríguez, Universidad de La Rioja
Court music in Spain during the sixteenth and seventeenth centuries; music and liturgy; reconstruction of historical repertoires; music editing; musical heritage in Spain
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Virginia Sánchez, Universidad de Jaén
Spanish music and press in the nineteenth century; the didactic concert: programming and design; music pedagogy
Currículum

Héctor Santos, Universidad de La Rioja
Instrumental music in Spanish cathedrals in the late eighteenth century.
Currículum

Thomas Schmitt, Universidad de La Rioja
History of music thinking; eighteentth century instrumental music
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Christian Speck, Universität Koblenz-Landau
History os seventeenth- to nineteenth- century European music; baroque oratory in Italy; musical classicism in Vienna; Luigi Boccherini
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Cristina Fernandes, Universidade Nova de Lisboa
Eighteenth-century vocal and instrumental music; music in the Portuguese Royal Chapel (1716-1834): models, repertoires and performance practice; cultural history of music in the Ancient Regime; music editing and analysis.
Curriculum