FRIDAY, 16TH MAY 2003
09:00 - 12:00 Panel 3: Gender
and Postcolonial Studies
The Presence/Absence of the Body in
Evelyn Waugh’s Vile Bodies
Mar Asensio Arostegui
Universidad de La Rioja (Spain)
The Spoken and the Unspoken in two English Writers:
the Homosexual Theme in E. M Forster and Evelyn Waugh
Roberto Valdeón
Universidad de Oviedo (Spain)
“All gentlemen are now very old”:
Waugh, Nostalgia and the Image of the English Gentleman
Christine Berberich
University of Derby (UK)
A Way to Fatherhood: Male Representation
in Bill Anderson's Translation of Sword of Honour
José Díaz Cuesta
Universidad de La Rioja (Spain)
On the Pitfalls of National Consciousness:
Colonialism and Modernity in Evelyn Waugh’s Black Mischief
Juan Francisco Elices Agudo
U.N.E.D. (Spain)
“The World’s Foundations
Seemed to Shake”: Sword of Honour as a Postcolonial
Work
Lewis MacLeod
Memorial University of Newfoundland (Canada)
12:00 Coffee break
12:30
- 13:45 Plenary lecture:
Making a Spectacle of Disadvantage
Valentine Cunningham
Corpus Christi College, Oxford (UK)
13:45 Lunch
15:00 - 17:20 Panel 4: Religious Perceptions
Religion and Reconciliation in
Helena
Eulàlia Carceller Guillamet
IES Gorgs (Barcelona, Spain)
Brideshead Re-Positioned: Re-Ma(r)king Text
and Tone in Filmed Adaptation
Patrick Denman Flanery
St. Cross College, Oxford University (UK)
Places of the Mind: Locating Brideshead
Revisited
Ruth Breeze
University of Navarra (Spain)
The Workings of Providence through
the Artist’s Memory: Brideshead Revisited and The
End of the Affair
Cristina Flores Moreno
Universidad de La Rioja (Spain)
The Consolations of Exile: Evelyn Waugh and
Catholicism
Joseph V. Long
Portland State University (USA)
17:30 - 19:00 Plenary lecture
Beyond Conformity: Salvation Through “Peculiar Acts of Service”
within Institutional Religion
Donat Gallagher
James Cook University (Australia)
19:00 - 20.30 Film A Handful
of Dust
21.00 Conference Dinner. Bodega “Reja dorada